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Joined 2 years ago
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Cake day: July 1st, 2023

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  • I do think they have an obligation to be pretty. Pretty things make people happy. It’s a contribution to the social project we’re all working on.

    A walkable city, not that a McDonalds drive-thru is specifically part of that, should have greenery, places to hang out, and pretty buildings to look at. People should like being wherever they happen to be.

    If you compare the two buildings in the picture, the top one I’m sure you have to drive to, but it at least looks like an inviting place to hang out with your kids or something. The bottom one almost seems hostile to that idea. And the main reason it even looks like that is austerity. At least I think so. Big gray cubes are cheap to build and easily templateable.



















  • but I justify it by pointing to things like splatter or fluid acrylic painting.

    The counter I would give here is that those are just techniques. The challenge, then, is whether the generation machine can be made to do things that are interesting and meaningful. I know it can produce spectacle, but spectacle and meaning are different concepts.

    I don’t know much Pollock, but isn’t he valued largely for his process and expressionism? I’m not making this accusation of you, you do seem to actually care, but a lot of people who bring him up seem to think that his work actually is random and unintelligible—I don’t think that it is.

    I will concede that the process of interacting with the generation machine to produce something is a creative one, I just don’t think it’s anywhere near what a lot of proponents claim it be.

    I’ve used Suno, and my lasting impression of it is that it was fun, sometimes really funny, and overall kind of soul sucking. As a musician, there were essentially no times that I felt anything produced there was mine. It was just novelty. Some of it sounded really cool, but none of it was an expression of me or what I was really looking for.