I have a French Press

Lemmy is a lot less women-friendly, queer-friendly, trans-friendly than the rest of the fediverse. That really needs to change.

Lemmy is a lot less women-friendly, queer-friendly, trans-friendly than the rest of the fediverse. That really needs to change.

Screaming against the encroaching void that tails us, hell bent on turning every iota of live and culture into something that can be financialized and commoditized.

It was the early days of a new technology and way of listening that was completely different compared to the past 60+ years of recorded audio. I guess as a more modern analogy it’s like those cheap 3D films at the height of the fad that felt the need to gratuitously shove objects directly in front of the camera to get the most out of the 3D effect.

Brian Wilson of The Beach Boys, who produced Pet Sounds, was actually deaf in one ear. Despite that, he got along just fine in a monophonic world, but the switch to stereo completely left him behind. It was a huge change in how music was mixed.

You have to understand that mixing consoles from that era were supremely limited in channels (think four, eight, later sixteen), to the point where they would often have to mix one section (say, the drums) and then record that mix to tape so it would take up a single channel and then do the guitar, bass, and vocals on another channel. The idea of having two of the same thing going through two channels was an exorbitant luxury they couldn’t afford!

Why is that a problem?

As an audio engineer, I was very confused about what this had to do with Direct Injection for a second.